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Work Background
Toronto Film SchoolCourse Instructor
Apr. 2024Toronto, Ontario, CanadaIntroducing aspiring film students to the world of audio capture on location for film production.
She Does SoundSound Recordist
Aug. 2017Toronto, Canada Area
TREBASAdministrative Assistant
Dec. 2016 - Aug. 2017Toronto, Canada Area
10monkeys.com Inc.Project Coordinator
Mar. 2015 - Jul. 2015CanadaLaunching a fun and national online math competition called Number Rumble (numberrumble.ca) for primary schools in Canada. Major responsibilities include sending out newsletters, social media marketing, customer support and writing press releases.
FinnopoolProject Manager
Jan. 2015 - Jul. 2017191 Eglinton Avenue East, Suite 310, Toronto, ON, M4P 1K1, CanadaExperience includes planning and supporting successful market entries and expansions for clients in sectors such as fashion, healthcare, information technology, jewellery, media, and travel, to name a few. Overall project planning, logistics and delivery details for company launch, development and marketing events.
Alisa Erlikh SoundFreelance Audio Engineer
Sep. 2014 - Aug. 2017Toronto, Canada AreaLocation Sound Recordist: The member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound designer, sound effects editors, or foley artists. This requires choice and deployment of microphones, choice of recording media, and mixing of audio signals in real time. Audio Post Engineer: The professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. There are primarily three divisions of sound that are combined to create a final mix, these being dialogue, effects, and music. In larger markets such as New York and Los Angeles, sound editors often specialize in only one of these areas, thus a show will have separate dialogue, effects, and music editors. In smaller markets, sound editors are expected to know how to handle it all, often crossing over into the mixing realm as well. Editing effects is likened to creating the sonic world from scratch, while dialogue editing is likened to taking the existing sonic world and fixing it. Dialogue editing is more accurately thought of as "production sound editing", where the editor takes the original sound recorded on the set, and using a variety of techniques, makes the dialogue more understandable, as well as smoother, so the listener doesn't hear the transitions from shot to shot (often the background sounds underneath the words change dramatically from take to take). Among the challenges that effects editors face are creatively adding together various elements to create believable sounds for everything you see on screen, as well as memorizing their sound effects library.
FinnopoolPersonal Assistant
Sep. 2014 - Jan. 2015191 Eglinton Avenue East, Suite 310, Toronto, ON, M4P 1K1, CanadaAssisting in the daily tasks and schedules, development of marketing and promotional materials including proposals, responding to customer inquiries and scheduled follow-ups and tasks, while maintaining an organized workspace.
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