Requests
0
Keep in touch with meI'm using Intch to connect with new people. Use this link to open chat with me via Intch app
Work Background
KLPRODUCTIONSAssociate Producer
Apr. 2021Idyllwild, California, United StatesSupports the Producer in the development and execution of theatrical productions from concept to closing. Assists with budgeting, scheduling, contracting, and coordination between creative teams, production staff, and administrative departments. Manages day-to-day logistics, contributes to fundraising and marketing efforts, and ensures productions stay on track, on budget, and aligned with the artistic vision.
Norwegian Cruise Line Holdings Ltd.Theatrical Operations Manager
Jun. 2017 - Oct. 2017The BahamasOversaw all theatrical and production venues, show scheduling, box office operations, and production show staff. Served as the primary liaison between onboard management and shore-side creative teams. Ensured high production standards, supported creative programming, and drove operational excellence across all entertainment offerings. Managed staff performance, development, and welfare, including evaluations, training, and disciplinary procedures. Handled logistics such as berthing, onboarding/offboarding, payroll, medical compliance, and timekeeping in accordance with company policies.
Norwegian Cruise Line Holdings Ltd.Production Stage Manager - Spiegel Tent
Jan. 2014 - Jun. 2014Tampa, Florida, United StatesCollaborated with 16–32 international circus performers and 6–10 technicians to maintain artistic integrity set by the Creative Team. Transcribed stage movement from Director’s dictation and supervised props, costumes, automation, and scenery in a specialty entertainment venue aboard the world’s third-largest ship. Ability to create contingency shows due to specialized talent in show.
Work Light ProductionsTouring Production Stage Manager
Jun. 2013 - Oct. 2013North American TourLeads all stage management and production coordination for a tour, ensuring seamless performance operations across multiple venues. Oversees rehearsals, calls lighting, sound, and automation cues, and maintains show consistency and quality on the road. Manages cast and crew schedules, travel logistics, venue communication, and daily reports. Liaison between the touring company and local house staff, ensuring safety, professionalism, and smooth transitions during load-ins, performances, and load-outs. Tour: Mamma Mia
TROIKA ENTERPRISES LTDTouring Production Stage Manager
Sep. 2010 - Jun. 2013North American TourManaged 30+ cast and 11–15 crew members while maintaining the show’s visual and audio integrity with the Head Carpenter and Music Director. Transcribed stage movement from Director’s notes, scheduled and ran rehearsals, assigned dressing rooms, and distributed daily reports. Called lighting, sound, and rail cues to a musical score during performances. Tours: CATS 2010-2012, West Side Story 2012-2013
FreelanceLive Event Consultant and Collaborator
Jan. 2010As a theatrical consultant, I bring a dynamic range of skills that span the entire production process—from concept to curtain call. My expertise includes theatrical design with a strong emphasis on lighting, as well as script analysis and editing to enhance storytelling and clarify production needs. I offer deep experience in stage management and production management, ensuring seamless operations, clear communication, and safety across departments. As a producer, I balance creative vision with logistical precision, budgeting, scheduling, and team coordination. My background also includes mentoring emerging artists, supporting technical infrastructure planning, and advising on facility and equipment needs, making me a versatile and collaborative asset to any theatrical project.
RiverdanceTouring Stage Manager
Apr. 2009 - Jun. 2010North American TourManaged an international cast of 50+ performers, conducted nightly stage checks, set up dressing rooms, and coordinated sound checks with FOH and Monitor Engineers. Oversaw conventional lighting focus and managed all deck operations during performances. Also served as calling stage manager, cueing sound and lighting.
Windwood TheatricalsTouring Production Stage Manager and Company Manager
Nov. 2008 - Apr. 2009North American TourNotated blocking, created rehearsal schedules, and maintained an organized, efficient rehearsal room with the Artistic Team. While on the road, partnered with the Musical Director and Dance Captain to run note sessions and rehearsals, ensuring the show stayed polished. Called sound, lighting, and follow-spot cues during performances and managed a team of 7 cast members and 5–8 crew members. Company Management duties: Coordinated travel and housing, distributed per diems, handled payroll paperwork, and served as the primary liaison with venue management to support cast and crew welfare. Tour: Altar Boyz 2nd National Tour
THEATRE AT BOSTON COURTInterim Production Manager
Oct. 2008 - Apr. 2009Pasadena, California, United StatesLeads and coordinates all technical and logistical elements of theatrical productions from pre-production through closing. Collaborates with directors, designers, and department heads to realize artistic goals within budget and schedule constraints. Responsibilities include managing production timelines, overseeing build and load-in schedules, supervising technical rehearsals, and ensuring compliance with safety protocols. Hires and supervises production staff and crew, monitors expenses, coordinates vendor and venue communications, and troubleshoots issues to maintain production quality. Serves as the central hub between artistic and operational teams to deliver efficient, high-caliber performances. Shows: Gulls, The Sequence, Four Play (Play Festival), Tartuffe
Disney Cruise LineStage Manager
Sep. 2008 - Sep. 2013Celebration, Florida, United StatesManaged 30–60 performers and 10–15 crew members across 6 rotating shows with 10–18 performances weekly. Called cues for automation, pyro, show control, sound, and follow spots. Created rehearsal and performance schedules, processed risk pay and travel requests, conducted cabin inspections, and led weekly leadership meetings. Collaborated daily with shore-side partners and participated in Entertainment Management meetings. Shows: Disney's Broadway Beauties, Celebrate the Journey, Adventures Away, Hercules the Muse-ical, Disney Dreams, The Golden Mickeys, Pirates in the Caribbean, Art of the Story, Toy Story the Musical.
Morongo Casino Resort & SpaLighting Designer
Aug. 2006 - Aug. 2006Cabazon, California, United StatesDesigns and programs high-impact lighting for live music performances and nightclub environments, enhancing energy, atmosphere, and audience engagement. Synchronizes lighting cues with music, video, and special effects, creating immersive visual experiences tailored to each artist, DJ, or event. Operates and maintains intelligent fixtures, strobes, lasers, and lighting consoles, ensuring system reliability across venues. Collaborates with performers, production teams, and venue staff to adapt designs to diverse spaces and event styles, delivering consistent, visually compelling shows. Club Sunset Dance Club and Conocerts: Wild Child, Sugar Cult, Sam Mellon, Metal Skool, John Corbett, Raul Malo
American GirlLead Lighting Technician and Show Caller
Mar. 2006 - Sep. 2007Los Angeles, CAMaintained lighting design for the American Girls Revue. Upkeep on over 200 lighting instruments both conventional and intelligent. Created lighting department handbook and troubleshooting guide. Design lights for all incoming events. Calling Stage Manager for Bitty Bear’s Matinee calling sound and lighting cues.
Theatre 68Lighting Designer
Feb. 2006 - Dec. 2007Los Angeles County, California, United StatesDesigns and implements lighting that enhances the mood, focus, and storytelling of theatrical productions. Collaborates with directors and design teams to create cue sheets, plots, and looks that support the narrative. Oversees hang, focus, programming, and cueing of lights during tech rehearsals and ensures design integrity throughout the run. Shows: A Noble Exile, Behind the Earth, Rock n' Roll Heaven, Bill W. and Dr. Bob
Sacramento BalletElectrician
May. 2005 - May. 2005Sacramento, California, United StatesInstalls, focuses, and maintains theatrical lighting systems for live productions. Works from lighting plots and paperwork provided by the Lighting Designer to hang and circuit fixtures, run cable, and address/control units. Assists with programming, troubleshooting, and maintaining equipment during rehearsals and performances. Ensures all lighting systems are safe, functional, and in alignment with the artistic vision and technical requirements of the production.
RUNAWAY STAGE PRODUCTIONS INCLighting Designer
Jan. 2004 - Jun. 2016Sacramento County, California, United StatesDesigns and implements lighting that enhances the mood, focus, and storytelling of theatrical productions. Collaborates with directors and design teams to create cue sheets, plots, and looks that support the narrative. Oversees hang, focus, programming, and cueing of lights during tech rehearsals and ensures design integrity throughout the run. Shows: Fiddler on the Roof, Suessical, Victor/Victoria, Grease, The Music Man, Pirates of Penzance, Steel Magnolias, Sweeney Todd, Footloose, Curtains, RENT (2010 Elly Award Best Lighting Design of a Musical), The Full Monty, Bonnie & Clyde, Next to Normal, Little Shop of Horrors, Avenue Q.
Chautauqua PlayhouseLighting Designer
Jan. 2004 - Jun. 2006Carmichael, California, United StatesDesigns and implements lighting that enhances the mood, focus, and storytelling of theatrical productions. Collaborates with directors and design teams to create cue sheets, plots, and looks that support the narrative. Oversees hang, focus, programming, and cueing of lights during tech rehearsals and ensures design integrity throughout the run. Shows: The Glass Menagerie, I Hate Hamlet, Holiday Memories, Serendipity, Blithe Spirit, Lend Me A Tenor, Coos Bay Truth, Wings of Freedom, Sentimental Journey, A Lesson Before Dying, Golf With Alan Shepard.
Freelance Production Stage ManagerProduction Stage Manager
Aug. 1999EverywhereOversees all aspects of rehearsals and live performances to ensure smooth, safe, and consistent show operations. Collaborates closely with directors, designers, and technical teams to execute artistic vision. Responsibilities include creating and maintaining rehearsal schedules, calling cues for lighting, sound, and stage effects, managing communication across departments, and maintaining detailed documentation such as blocking notes, cue sheets, and performance reports. Supervises cast and crew, ensures safety protocols are followed, and addresses issues in real time during performances. Acts as the central point of coordination throughout the production process from pre-production to closing.
Ramona Hillside PlayersTechnical Supervisor
Aug. 1999 - Sep. 2003Hemet, California, United StatesOversees all technical operations of a theatre venue, ensuring every production runs safely, on time, and to artistic specifications. Leads a multidisciplinary crew (lighting, audio, carpentry) through builds, load-ins, changeovers, performances, strikes, and routine maintenance. Collaborates with production managers, designers, and touring companies to translate creative requirements into workable technical plans, balancing budget, schedule, and resource constraints. Maintains and upgrades venue equipment, manages inventory and vendors, drafts technical drawings and paperwork, and enforces OSHA/local safety codes through regular training and inspections. Handles staffing—hiring, scheduling, coaching, and evaluating crew—and serves as the primary troubleshooter and duty manager during live performances and emergencies. Shows: I Hate Hamlet, Going to See the Elephants, The Jungle Book, West Coast Radio Theatre (WCRT), Mary, Mary.
Freelance Dancer/ChoreographerFreelance Choreographer
Jun. 1999 - Aug. 2001Hemet, California, United StatesCreates and stages original movement and dance sequences that support the story, style, and emotional tone of a musical. Collaborates with the director, music team, and performers to bring choreography to life through rehearsals, blocking, and coaching. Ensures consistency and quality of movement throughout the production. Shows: The Jungle Book, Godspell
FreelanceLighting Designer
Jun. 1998United StatesTheatrical Lighting Designs and implements lighting that enhances the mood, focus, and storytelling of theatrical productions. Collaborates with directors and design teams to create cue sheets, plots, and looks that support the narrative. Oversees hang, focus, programming, and cueing of lights during tech rehearsals and ensures design integrity throughout the run. Dance Lighting Specializes in designing lighting that complements and elevates movement and choreography. Works closely with choreographers to craft dynamic, fluid lighting states that emphasize rhythm, spatial awareness, and the physicality of dancers. Focuses on clarity, silhouette, and timing to support both emotion and precision in performance. Concert Lighting Creates high-impact lighting designs that enhance the energy and branding of live music performances. Collaborates with artists, production managers, and touring teams to program synchronized lighting with audio, video, and effects. Manages rigging specs, equipment needs, and show control systems to ensure a consistent visual experience across venues.
Intch is a Professional Networking App for the Future of WorkSee more people like Kimberly on Intch
300k+ people
130+ countries
AI matching
Get Intch if you'd like to
1006506 people
16
Producer @ iHeartMedia Cincinnati
16
Creative
15
Production Assistant
63034 people
17
Project Manager @ Plus Development Group
17
Editor @ Gannett | USA TODAY NETWORK
16
Video Producer