Independent researcherMusicology, organology, sociology
Jan. 1991 - Dec. 2011Radically interdisciplinary research, applying concepts and methods from the sociologies of culture, technology, and knowledge to music history, with a particular focus on musical performance, instruments, and taste. Critical arguments from a broad humanistic and social-science viewpoint on the current methodologies, scopes, and assumptions of both musicology and organology. Books published by the University Presses of Cambridge (1991), Oxford (Clarendon Press, 1996), and Yale (2005). Sixty articles and scholarly reviews published in academic and specialist journals (1994–2009). National Endowment of the Humanities Fellowship 1993–94 on ‘The Keyed Flute: Technology and Musical Style in the Late Eighteenth Century’ included study of 400 instruments in museums and private collections in the US, Europe, and Russia, leading to the publication of The Keyed Flute by Johann George Tromlitz (Oxford: Clarendon Press, 1996). Nicholas Bessaraboff Prize from the American Musical Instrument Society (2005) for the most distinguished book-length work in English which best furthers the Society's goal "to promote study of the history, design, and use of musical instruments in all cultures and from all periods," for The Flute (Yale Musical Instrument Series), (New Haven and London: Yale University Press, 2002). Reviewed or invited speaker at 21 scholarly and professional conferences. Visiting lecturer at Edinburgh, Indiana, London Metropolitan, Yale Universities, as well as the Longy School of Music and the Royal Conservatory, The Hague. External examiner and thesis advisor at Gothenburg, Leiden, and Cambridge Universities.