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Work Background
Balance PostOwner
Jun. 2024Salvador, Bahia, Brazil• Responsible for teaching and mentoring the new generation of post production individuals, specially in poor communities around the globe • Responsible for bringing in new business and developing strategies to boost profits • Responsible for overseeing production, human resources, purchasing of equipment and recruiting new employees • Responsible for representing the company in negotiations, meetings and liaison with other organizations and clients • Responsible for building and maintaining existing long-term client business relations and develop relationship with potential new ones • Responsible for formulating and implementing policies • Color correction and online editing of any type of project worldwide • Wide-ranging knowledge of all formats and color spaces • Deep HDR understanding and experience with Dolby Vision and HDR-10 • Responsible for all equipment related to color grading and online editing (projection or glass)
Picture Shop Colorist
Aug. 2018 - Jun. 2024Los Angeles Metropolitan AreaKey contributor to creation and rollout of Technicolr’s new streaming application for remote, real-time, pixel-accurate client reviews to a) pivot with covid-19 and b) expand with international market reach
Oversee multi-faceted projects and workflows over multiple time zones across various project stages
Work across Baselight, DaVinci Resolve (and others) for color correction with a 100% on-time and in budget delivery with approval by QC: $2M - $50M budgets
100% Review approval with Clients at final post-production stage
Deliver color work that provides a smooth post-production process (time, quality, format, foresight and focused attention on where improvements and challenges exist)
Collaborate with clientele direct (Directors, Photographers, etc) to offer coloring expertise, embed credibility, confidence, and keep alignment - resulting in the highest quality image possible
Work with editorial, VFX and sound to solve for post-production blockers, using innovation and excitement to keep creativity and team motivation high
TechnicolorColorist
Aug. 2018 - May. 2021Hollywood, CaliforniaKey contributor to creation and rollout of Technicolr’s new streaming application for remote, real-time, pixel-accurate client reviews to a) pivot with covid-19 and b) expand with international market reach
Oversee multi-faceted projects and workflows over multiple time zones across various project stages
Work across Baselight, DaVinci Resolve (and others) for color correction with a 100% on-time and in budget delivery with approval by QC: $2M - $50M budgets
100% Review approval with Clients at final post-production stage
Deliver color work that provides a smooth post-production process (time, quality, format, foresight and focused attention on where improvements and challenges exist)
Collaborate with clientele direct (Directors, Photographers, etc) to offer coloring expertise, embed credibility, confidence, and keep alignment - resulting in the highest quality image possible
Work with editorial, VFX and sound to solve for post-production blockers, using innovation and excitement to keep creativity and team motivation high
Deluxe Entertainment Services GroupColor Assistant
Jul. 2017 - Jul. 2018
Deluxe Entertainment Services GroupProducer
Jul. 2016 - Jul. 2017Hollywood, California
FreelancePost Production Producer
Jan. 2015 - Jul. 2016Greater Los Angeles Area.
Quanta PostDirector of Operations
Jan. 2012 - Dec. 2014São Paulo Area, BrazilJoined what is now, one of the biggest post-production shops in Brazil, as an early founding executive (> 5 employees in 2012), and helped scale team and operational workflows (70+ employees in 2015)
Owned day-to-day operations across all departments including but not limited to: evaluating methods and continuous improvements to business operations; quality assurance and on-time delivery; cost control and efficiencies
Developed training for team development and kept a culture focused on common objectives, creativity and critical attention to quality and operational efficiency
New HatManaging Director
Feb. 2011 - Dec. 2011Greater Los Angeles AreaFounding member of New Hat executive team
Oversaw Production and Human Resource divisions, and managed all Company Equipment (hardware/software)
Turned cash negative company with annual losses of $1-2M, into profitability by securing new monetization strategies and clientele
Built colorist workflows from scratch Managed construction of mid-sized theater to run color correction of feature films
New HatDirector of Operations
Jun. 2010 - Jan. 2011Greater Los Angeles Area.
New HatColorist
Jan. 2009 - Jun. 2010Greater Los Angeles Area• Color correction of the film and digital image using Pandora linear and Baselight non-linear color correctors • Responsible for all equipment related to telecine, such as Spirit 4K, Final Cut Pro, Photoshop, Clipster, Pro Tools and some UNIX based software
• Responsible for supervising all assistants and tape operators
• Responsible for creating a work flow from scratch
R!OTColorist
Apr. 2005 - Jan. 2009Greater Los Angeles Area.
R!OTTelecine Assistant
Feb. 2003 - Apr. 2005Greater Los Angeles Area.
R!OTTape Operator
Feb. 2002 - Feb. 2003Greater Los Angeles Area• Tape duplication, waveform, vectorscope, aspect ratio conversions • Panasonic Universal Format Converter – up / down / cross convers
• D5 3700, Sony HD Cam and HD Cam SR, WFM 1125 HD Waveform monitor
• D1, D2, Digital Betacam, DVCam, all digital and analog formats
R!OTVault Assistant
Nov. 2001 - Feb. 2002Greater Los Angeles Area• Daily preparation of all elements relating to telecine sessions
• Protecting the security of client elements, original film and air masters
• Facilitating all shipments
• Ordering and inventory of all stock
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