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Work Background
theRubixonCEO/Owner
Sep. 2021Greater Chicago AreaFilmmaking Writer, Director, Producer Trinity Wars (narrative short)
• In development Writer, Producer, Director, Bat (narrative short)
• https://www.gitanjalikapila.com/bat Writer Director, Co-Producer Groped (narrative short)
• https://www.gitanjalikapila.com/groped Writer, Producer, Director, Breathing above the Treeline (narrative short)
Link: https://www.gitanjalikapila.com/breathing-above-the-treeline Writer, Director, Co-producer, Weaning (digital video, experimental short)
• Link: https://www.gitanjalikapila.com/loesrivelse Writing and Conference Papers Writer, True Heroes, False Hoaxes, and Nietzsche’s Will to Power: Bludgeoning the Truth of Coronavirus with a Narrative of Perversion; or how the Beaches Were Kept Open in Stephen Spielberg’s Jaws (https://www.gitanjalikapila.com/oedipus) Writer, The Hero’s Journey as Anti-Narrative: Descent to Dissent on the way up towards Revolution and Resolution in Bong Joon-ho’s Parasite and Disney’s 1950 animated Cinderella (https://www.gitanjalikapila.com/parasite) Writer, The Black Heroine in the Mirror: crossing the threshold of the specular image, the esoteric journey and the encounter with the annihilating I in Jordan Peele’s Us (https://www.gitanjalikapila.com/heroine) Presenter, The Labyrinth within the Kingdom: Narrative Cartography and Building the Imagined World for Developing Non-Linear Interactive Internet-based Storytelling
• Presented at the CILECT Congress 2019, Moscow, Russia Writer, Stuck in a Labyrinth (or a Tower) with the Minotaur and trying to get out: Princess Aurora and Imperator Furiosa as the heroes of the Multimyth (https://www.gitanjalikapila.com/minotaur) Presenter, Points of View(er)s: the Viewer as Director/the Director as Viewer in the Binary Model of Non-sequential Storytelling in Steven Soderbergh’s Mosaic
• Presented at the CILECT Congress 2018, Mumbai, India
The Art Institute of ChicagoAssociate Professor, Adjunct
Sep. 2015
Columbia CollegeAdjunct Faculty Screenwriting
Sep. 2004
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