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Work Background
Free Range GamesPrincipal Sound Designer
Jun. 2024Sausulito, CA
Free Range GamesPrincipal Sound Designer
May. 2021 - Feb. 2025Sausulito, CA
Free Range GamesAudio Director
May. 2021 - Jun. 2024Sausalito, California, United States
343 IndustriesSenior Sound Designer
Jun. 2020 - Jan. 2021
Nightdive StudiosSenior Sound Designer -- Contract
Nov. 2019 - Apr. 2023Vancouver, Washington, United StatesSound design for Nightdive Studios reboot of System Shock
WhiteMoon Dreams, Inc.Contractor
Jan. 2019 - Jul. 2019South Pasadena, CATransformers: Saviors of Metroplex (Location-Based Experience, PC, Oculus Rift) Responsible for creation and implementation of all audio content
Designed and created multiple audio-specific functions and systems
Responsible for all dialogue and music management and mix.
Tools Used: Unreal Engine 4 with WWISE, Pro Tools, Sound Forge
Big Red Button Entertainment, Inc.Audio Director
May. 2017 - Jun. 2020El Segundo, CaliforniaUnshipped Major Film VR Experience (Oculus) Responsible for creation and implementation of all audio content
Designed and created multiple audio-specific functions and systems
Oversaw dialogue recording with high profile film talent
Tools Used: Unreal Engine 4 with WWISE, Pro Tools, Sound Forge
Developed a weapon room ambience system that combined in-game reverb with an interchangeable gun asset layer corresponding to that space
Zero TransformAudio Director
Jun. 2015 - May. 2017Bend OregonProton Pulse (Oculus, Vive, PSVR) Responsible for creation and implementation of all audio content
Tools Used: Unity with native sound engine, Pro Tools, Sound Forge
Developed a technique for tone-based game sounds to react and “retune” based on the key of the
music
Used game object-based sound with ambisonic output to create true 3d audio experiences
Bend StudioSenior Sound Designer
Jun. 2012 - Jun. 2015Bend, ORDays Gone (PS4) Responsible for setting the artistic tone of the game
Coordinated several sound designers and engineers in several different locations
Actively involved in the design of the audio engine and its integration into the game engine
Responsible for interfacing with creative and technical leads of other departments to ensure smooth and efficient delivery of audio assets.
Designed and worked directly with programmers to develop audio tools to streamline, standardize, and “idiot proof”
audio implementation
Direct level scripting of audio content
Tools Used: Unreal Engine 4 with SCREAM, a proprietary Sony sound engine, Pro Tools, Sound Forge
Designed a flexible system for handling creature vocalizations scaled from individuals to extremely large hordes between multiple states of awareness Implemented an effective weapon sound system over extremely long ranges with significant changes between environments
Developed a system of “listeners” to make the environment react to player and non-player actions and events
Designed and implemented a comprehensive weather sound system that reacted to global game weather data
TreyarchSenior Sound Designer
May. 2011 - Feb. 2012Call of Duty: Black Ops 2 (Xbox360, PS3, PC) Creation of multiple sound assets including weapons, foley, and environment
Direct level scripting of assets
Planned, and directed several live-fire weapons shoots with operating budgets in excess of $20k
Tools Used: Proprietary Tools, Pro Tools, Sound Forge Call of Duty: Black Ops (Xbox360, PS3, PC) Directly responsible for the bulk of cutscenes
Creation of multiple sound assets including weapons, foley, and environment
Direct level scripting of assets
Tools Used: Proprietary Tools, Pro Tools, Sound Forge Call of Duty: Modern Warfare (Wii Port) Directed a small team porting CoD: MW to the Wii
Reconfigured assets and scripts to fit into a significantly smaller technical footprint than the original
Tools Used: Proprietary Tools, Pro Tools, Sound Forge Call of Duty: World at War (Xbox360, PS3, PC) Heavily focused on the Japanese campaign including weapons design, Pacific environmental sounds, and Japanese soldier vocalizations
Direct level scripting of assets Call of Duty 3 (Xbox360, PS3, Wii) Lead sound designer with three charges
Creation of multiple sound assets including weapons, foley, and environment
Tools Used: Proprietary Tools, Pro Tools, Sound Forge Call of Duty: Big Red One (XBox, PS2) Lead Sound Engineer releasing a PS2 CoD game concurrent with the release of Call of Duty 2
Sierra On-LineSound Designer/House Composer
Jan. 2010 - Jun. 2011SWAT 3: Close Quarters Battle (PC) Sole Composer and Sound Designer
Tools Used: World Builder, Pro Tools, Sound Forge Leisure Suit Larry's Casino (PC) Sole Composer and Sound Designer
Tools Used: AGI Pro Tools, Sound Forge Phantasmagoria II: A Puzzle of Flesh (PC) Composed all music and oversaw implementation
Tools Used: Digital Performer, Pro Tools
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