Nathan Russell-Raby

Filmmaker @Heavy Entertainment

AnimationCinemaVideo EditorProducerTVDirectorScreenwriter🎥 Entertainment

Accomplished filmmaker with a rich background in production and development, honed over a decade in the film and TV industry. His expertise spans from early roles at Pinewood Studios to directing acclaimed content such as '3 Wheeling'. Nathan excels in project management, content development, and collaborative efforts with high-profile industry leaders, exemplified in his work with Pinewood's content investment arm and the Isle of Man Government's film fund. His most recent focus was in developing a regional streaming service for 221 Media, curating bought content and producing originals across various genres.

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Work Background

Heavy EntertainmentFreelance Filmmaker

Jan. 2018I have developed and managed funded projects, with BAFTA-Winning talent attached. My recent accomplishments include securing screenplay options with BAFTA-Winning Producers and engaging in collaborations with Oscar-nominated screenwriters. Beyond production, I've crafted business strategies and advised on film investment structures for the Isle of Man Government, working with senior civil servants and the Minister for Enterprise on screen-tourism, investment strategies, and notably, IP acquisition. I've also polished development packages for renowned indie-horror director Jason Figgis, leveraging my expertise across the film finance spectrum. Currently, I am producing an animated short while also dedicating efforts to raise finance for my first fully independent feature film. https://www.heavyentertainment.co.uk

221 MediaDevelopment Producer

Nov. 2021 - Apr. 2022Isle of ManAs the Creative Lead for 221 Media's IPTV platform, GO TV, I played a pivotal role in developing a diverse range of original content, encompassing true crime, reality, and children's drama. My responsibilities spanned the entire project lifecycle, from initial concept to final delivery. I led the ideation and development of series outlines, ensuring they aligned with the platform's vision and audience interests. Key aspects of my role included managing budgets and story adaptation licensing, strategically partnering with existing brands and intellectual properties, and formulating comprehensive streaming plans. Additionally, I was instrumental in content acquisition, negotiating and buying content that would resonate with our viewers. A significant part of my role involved tendering for public and private production contracts. I meticulously planned and revised large production budgets, cost breakdowns, schedules, and production plans to meet the stringent requirements of these tenders. My efforts were recognized with full marks from the Isle of Man Government's Procurement Division, reflecting my commitment to excellence and adherence to high standards in procurement processes.

3FMSocial Media Marketer

Jun. 2021 - Oct. 2021On-siteAt 3FM, the Isle of Man's premier commercial social media channel, I frequently produced the island's most-watched commercial video content during the challenging times of the pandemic. My role was critical in maintaining high engagement with our 50,000+ social media followers, through the consistent production of four client-based videos per week. I produced various digital media projects varying from presenter-fronted content and live streams to multi-cam game shows, talking heads interviews, scripted commercials, 2D animation, and full-motion graphics. This diversity in content types not only showcased my versatility in handling different formats but also catered to the varied tastes of our audience. To enhance production value while being cost-effective, I introduced a subscription-based stock licensing model. This strategic move significantly reduced long-term expenses without compromising the quality of our content. Additionally, I implemented automated closed captioning, which drastically increased efficiency by saving approximately seven hours per week for each member of the video team. I was responsible for managing individual client budgets, and ensuring cost-effectiveness by strategically distributing production internationally where feasible. My role also involved close coordination with the Sales department to develop customized sales models that were in sync with our marketing strategy. This fostered a collaborative environment that effectively bridged the gap between sales and programming teams, accommodating a diverse range of client needs.

Isle of MediaProducer/Director

May. 2018 - Jun. 2019Isle of Man, United KingdomAt Isle of Media, a key agency for the development of the Isle of Man's media, film, and television sectors, I took on the challenge of elevating the Isle's presence in the international media industry. Understanding the significance of effective marketing and the power of existing resources, I proposed and successfully implemented the innovative idea of repurposing the Isle of Man's extensive film production catalogue into B2B promotional content. This strategic approach involved transforming existing film assets into engaging promotional materials, showcasing the Isle's capabilities, and highlighting its appeal as a serious player in the global media landscape. By leveraging the existing catalogue, we were able to create compelling narratives that demonstrated the Isle of Man's production strengths and diverse offerings. Furthering our promotional efforts, I produced witty and attention-grabbing video promos specifically designed to capture the interest of key players in the industry. These promos were showcased at major industry conferences like MIPCOM & MIPTV in Cannes, pivotal platforms for international exposure. The aim was to not only grab attention but also leave a lasting impression on industry professionals, thus opening doors for future collaborations and investments in the Isle of Man's media sector.

North One TVDevelopment Researcher

Sep. 2017 - Sep. 2017Researched archive footage, wrote treatments, outlines, narrative and format for five factual entertainment shows including Celebrity Haunted Mansion (broadcast on UKTV W and UKTV Really in February 2018.)

Beaumanx ProductionsFilm Director

Apr. 2015 - May. 20173 WheelingAs the Director at Beaumanx Productions, I spearheaded the creation of the feature-length docu-reality movie "3 Wheeling," which highlights the sidecar champions at the world's most dangerous race. My role encompassed the entire production process, from pre-production to distribution. In pre-production, I collaborated with the Isle of Man TT for branding alignment and secured a significant waiver on footage licensing costs. I successfully attached high-profile racing legends and world champions to the project, enhancing its credibility and commercial appeal. Additionally, I was responsible for assembling a skilled production team and securing all necessary equipment and permits. During production, I directed a large team of over thirty crew members and contributors, managing three simultaneous units over a 16-day shoot. Despite budget limitations, I implemented a flexible multi-cam setup, adapting to various filming conditions and ensuring a comprehensive portrayal of the events. Each day, I reviewed rushes to refine the production schedule and maintain narrative coherence. In post-production, I created a beat sheet to guide editing, organized additional filming for narrative gaps, and ensured the integration of these pick-ups with existing footage. Collaborating with En-Core Sound, a BAFTA-winning post-production house, I provided creative direction and integrated licensed footage and music, including authentic radio commentary from Manx Radio TT. For distribution, I arranged private screenings of the rough cut for stakeholders and potential buyers, which played a pivotal role in discussing and securing distribution opportunities. The movie was theatrically released, achieving over 150 commercial screenings in British, German, and Austrian cinemas. It also gained a substantial online following, amassing over 1.5million fans on facebook.

Gasworks MediaScreenwriter

Oct. 2016 - Feb. 2017Home of HalloweenI was commissioned to craft two drafts of the "Home of Halloween" screenplay. This project involved a complete overhaul of the narrative, requiring a deep understanding of the genre and the ability to create a compelling and engaging story. My first task was to develop an initial draft that captured the essence of the story while introducing fresh perspectives and innovative plot elements. This draft laid the groundwork for the narrative structure and character development. After receiving feedback and insights, I worked on the second draft, refining the story and its elements to better align with the vision of Gasworks Media and the expectations of their First-Look partner, FOX Searchlight.

Gasworks MediaSizzle Editor

May. 2016 - Feb. 2017PacificaCommissioned to edit the concept reel for planned feature film 'Pacifica' for presentation to Gasworks Media's First-Look partner FOX Searchlight.

Isle of Man FilmProducer

Jan. 2016 - Jul. 2016CAIN: The World's First Murderer · On-siteAs a Producer for the Isle of Man Film Commission's Talent Development Scheme, my role in the project "Cain: The World's First Murderer" was pivotal in nurturing local talent and providing them with essential skills for the film industry. I managed the entire project, ensuring that the local crew and talent received comprehensive training and practical work experience. This initiative was designed to equip them with the necessary competencies to secure positions in big-budget commercial productions, thereby fostering local talent development. My responsibilities included writing and managing the budget for the project. I meticulously oversaw all expenses, ensuring strict compliance with financial regulations. This required a keen eye for detail and a deep understanding of budgetary constraints and financial management in film production. Demonstrating exceptional organizational skills, I was responsible for the logistical aspects of the production. This included scheduling, booking locations, organizing road closures, securing insurance, and arranging for catering and other necessary logistics. These efforts were crucial in ensuring smooth and efficient production operations. In addition to logistical management, I provided creative direction to aspiring film professionals. This involved guiding various aspects of film production such as cinematography, costume design, and set design, thereby enhancing their practical knowledge and skills in these areas. When faced with an unexpected Force-Majeure, I adapted swiftly and effectively. Working closely with the film commission, I facilitated the transition of several alumni into full-time careers with our investment partners at Pinewood Studios. This adaptation not only demonstrated resilience and resourcefulness in the face of challenges but also highlighted my commitment to the long-term success and career progression of the talent nurtured under the project.

Pinewood PicturesScreenwriter

Jan. 2013 - Apr. 2015Hop-Tu-Naa: Home of HalloweenCommissioned by Pinewood Studios' content investment arm, I undertook the significant task of writing the treatment and screenplay for the horror movie "Hop-Tu-Naa: Home of Halloween." This project was a creative endeavour to craft a fictionalized account of the origins of Halloween in Celtic-Medieval Britain. During this project, I had the invaluable opportunity to receive personal mentoring from industry veterans and senior civil servants. This mentorship covered key areas such as finance, creative development, and film production. Their guidance and insights were instrumental in honing my skills and understanding of the industry, especially in the specific context of writing and developing a screenplay for a major studio. To support the project's broader goals, I produced detailed written reports and information that focused on leveraging the film to boost tourism. This aspect of my work involved researching and presenting how the movie could attract visitors to specific locations, thereby contributing to the local economy and cultural heritage promotion. Additionally, I played a pivotal role in pitching the project to the Department for Enterprise at the request of the Economy Minister. This involved not only presenting the screenplay and its potential impact but also collaborating with external stakeholders. Together, we developed a comprehensive production plan and investment strategy, ensuring that the project was well-positioned for success both as a cinematic piece and as a catalyst for economic and cultural growth.

Pinewood PicturesSizzle Editor

Oct. 2012 - Oct. 2013Commissioned by Pinewood to edit mood reels for feature film "Hop-Tu-Naa: Home of Halloween" and a TV series spinoff of CinemaNX's documentary hit "TT 3D: Closer to the Edge."

Isle of Man FilmLocation Scout

Mar. 2015 - Mar. 2015Isle of Man, United KingdomAs a Location Scout for the Isle of Man Film Commission, I researched, sourced, and photographed filming sites for a mid-budget horror movie, based on various criteria. I coordinated visits, and collaborated with Pinewood Studios' development team for location selection.

PINEWOOD PICTURES LIMITED/ BBC TelevisionLocations Assistant

Sep. 2012 - May. 2014Assisted in coordinating and managing film and TV shoot locations, ensuring seamless logistical operations and providing support to production teams.

CinemaNXScreenwriter/Producer

Jun. 2012 - Aug. 2012Solace in WiccaAs a Producer at CinemaNX, I led the production of "Solace in Wicca," a short film set in the Isle of Man, focusing on the true story of a mother and her baby executed for witchcraft. My role was instrumental in every stage of the production, from funding to filming. Initially, I successfully raised £18,000 in funding for this big-budget project. This involved securing £10,000 from the Manx Culture Board for choosing to shoot the film in period-accurate Gaelic with English subtitles. The board's support extended beyond financial backing, as they also distributed the short film. Furthermore, I negotiated with the Isle of Man Film Commission and their investment partner, CinemaNX, obtaining an additional £8,000 in funding. This agreement included the transfer of commercial remake rights to the investors. A key aspect of production involved liaising with Manx National Heritage to gain access to historically significant locations without incurring location fees. These included Britain's best-preserved Medieval Castle, a thatched village in a folk-life museum, and a private beach on the Niarbyl Fault. Managing a large crew of over 30 people, I was responsible for the logistics of filming complex scenes. This included sourcing and costuming almost 100 supporting artists for a public execution scene, as well as casting actors for roles that required performances in an extinct language. Overcoming numerous logistical challenges, such as working with fire in historic buildings, was also a significant part of my role. Through these efforts, "Solace in Wicca" not only brought a harrowing historical tale to life but also highlighted the rich cultural heritage of the Isle of Man.

Home StrategicVideographer

Oct. 2011 - Apr. 2012Produced a Promotional Video for Home's website, in the style of Ricky Gervais's "The Office" (UK) Also provided videoing services for Home (such as recording interviews for Market Research)

Greenlight International(Work Experience)

May. 2008 - May. 2009During my early career journey, I had the valuable opportunity to gain work experience at Greenlight TV. Initially participating in a school work experience program, I was exposed to the dynamic world of television production in 2009. Demonstrating commitment and enthusiasm, I secured a second week of work experience with Greenlight TV during the school holidays, further immersing myself in the industry and gaining practical insights into the field. This experience laid a foundational understanding of television production, which later contributed significantly to my growth as a filmmaker.

Duke Marketing Ltd(Work Experience)

Oct. 2005 - Oct. 2005Securing the Young Filmmaker of Mann Award led to a prestigious work experience placement with Duke Marketing, a prominent company in motorsports production. During this tenure, I spent a day shadowing professionals in the edit suite, absorbing the intricacies of post-production. The experience expanded over two additional days where I shadowed the team on the production of "Steve Colley Mr Showman," gaining invaluable insights into the practical aspects of filmmaking in a dynamic motorsports setting. This opportunity was a significant milestone in my early career, offering a behind-the-scenes look at professional production workflows.